Monday, September 10, 2012


David Zinczenko, Don’t Blame the Eater (p. 151)

1.      Summarize Zinczenko’s arguments (his “I say”) against the practices of fast-food companies. How persuasive are these arguments?

Zinczenko argues that fast-food companies do not provide alternatives to the fat- and calorie-laden meals they serve and that they do not prominently display caloric and other nutritional information for these products. As he writes in his final paragraph, “Fast-food companies are marketing to children a product with proven health hazards and no warning labels.” Opinions may differ as to how persuasive these arguments are, but his statistics about diabetes suggest a definite health risk. These arguments also support his larger point that lawsuits against such companies are justified.

2.      One important move in all good argumentative writing is to introduce possible objections to the position being argued—what this book calls naysayers. What objections does Zincenko introduce, and how does he respond? Can you think of other objections that he might have noted?

Zinczenko introduces objections to his arguments at two points: in his first paragraph when he raises the question “Whatever happened to personal responsibility?” and in paragraph 7 where he also phrases the objection as a question (“Shouldn’t we know better than to eat two meals a day in fast-food restaurants?”). He responds to these objections by pointing out that fast-food restaurants are “the only available options for an American kid to get an affordable meal.”  Students may think of other objections, such as the argument that parents should do more to supervise the diets of their children, teach them good eating habits, and work to counteract the advertising of fast-food chains.

3.      How does the story that Zinczenko tells in paragraph 3 and 4 about his own experience support or fail to support his argument? How could the same story be used to support an argument opposed to Zincenko’s?

By showing that he himself faced the same predicament as the young people who are suing McDonald’s, Zinczenko humanizes the problem and perhaps makes readers more sympathetic to their suit. The fact that he was able to learn to manage his diet, however, could be used to support the opposing argument that other young people should be able to do so as well instead of blaming fast-food restaurants for their weight.

4.      So what? Who cares? How does Zinczenko make clear to readers why his topic matters? Or, if he does not, how might he do so?

Most students will likely feel that Zinczenko succeeds in making clear that his topic matters. He starts out by noting the lawsuit against McDonald’s, something that has gotten significant publicity, and he goes on to document the skyrocketing rates of childhood diabetes, directly linking them to obesity. Further, paragraph 9 provides an eye-opening example of the staggering calorie count of a supposedly dietetic chicken salad offered by one company.


Radley Balko, What You Eat Is Your Business (p. 157)

1.      What does Radley Balko claim in this essay? How do you know? What position is he responding to? Cite examples from the text to support your answer.

Balko’s claim in the essay is that government intervention to curtail obesity (including limiting access to high-calorie foods, requiring menu labeling of nutritional value and fat and calorie content, and taxing high-calorie food), as well as treating obesity as a public health issue, is wrong-headed; instead, personal responsibility should be encouraged. He also argues the larger point that the socialization and government subsidization of medicine leads people to become less responsible for their own health and encourages them to continue to behave in unhealthy ways. See paragraphs 2–3, 5, and 8–9.

2.      Reread the last sentence of paragraph 1: “In other words, bringing government between you and your waistline.” This is actually a sentence fragment, but it functions as metacommentary, inserted by Balko to make sure that readers see his point. Imagine that this statement were not there, and reread the first three paragraphs. Does it make a difference in how you read this piece?

Without the fragment that ends the first paragraph, Balko’s negative stance would not be clear through the end of the second paragraph (unless one noted the negative connotation of language such as “agitating for a panoply of government anti-obesity initiatives”). But he makes his position explicit at the beginning of paragraph 3.

3.      Notice the direct quotations in paragraph 7. How has Balko integrated these quotations into his text—how has he introduced them, and what, if anything, has he said to explain them and tie them to his own text? Are there any changes you might suggest? How do key terms in the quotations echo one another? (See Chapter 3 for advice on quoting, and pp. 109–11 for help on identifying key terms.)

The first is a direct quotation, which Balko introduces by naming both the speaker and the organization she represents. The second is not so much a quotation as a phrase included in quotation marks so that Balko can distance himself from it;  “personal responsibility bias” is a concept promulgated by trial lawyers that Balko finds ridiculous. He comments directly on the title of the ABC News documentary as a way of emphasizing the point made in the two previous quotations that the idea of personal responsibility, in his view, is being given short shrift.  

4.      Balko makes his own position about the so-called obesity crisis very clear, but does he consider any of the objections that might be offered to his position? If so, how does he deal with those objections? If not, what objections might he have raised?

Although Balko offers examples of what is being proposed by those he opposes and provides a brief summary of their views, he does not consider direct objections to his own position in any detail. For example, he doesn’t explore the issue of the cost benefits of governmental intervention to curtail obesity, an issue that would be raised in opposition to his “leave it up to individuals” approach.

Sunday, September 2, 2012

Extra Lives

1) What is the point of the opening anecdote?

2) What are the attributes, as Bissell lays them out, of the open-world or sandbox or free-roaming game?

3) What are the draws of such games? What makes them appealing?

4) How was Oblivion like an extra life for Bissell?

5) What is special about Fallout 3? What are some of his criticisms about the game?

6) What games interest Bissel the most? What's the difference, in his view, between films and games?

7) What is Bissel really interested in?


“Extra Lives: Why Video Games Matter” [p. 349] Tom Bissell
In this essay Tom Bissell details the pros and cons of the video game Fallout 3, concluding that although sometimes such games are frustrating, their “stylishness, sophistication and intelligence” draw him in. He tells the story of his first experience playing the game, when he got so distracted that he missed the results of the 2008 U.S. presidential election, demonstrating that the games can be “leisure-time-eating viruses.” He also gives a brief genre analysis of the “open-world” video game, describing its attributes, though he later criticizes such games for simplistic tutorials, dialogue, and characterization. Bissell would prefer that games have more complex narrative elements to match the attention to art direction and the details of the games’ worlds. He argues against comparing games to other forms of entertainment, choosing instead to focus on “what games can do and how they make me feel while they are doing it.”
Teaching Notes
Bissell uses a number of swear words in the essay, as well as a reference to “fetish- porn.” Ask students who his audience might be, as well as how they themselves reacted to the language use.
Bissell creates a genre analysis in paragraph 4 when he describes “the open-world or sandbox or free-roaming game.” Discuss the elements of a genre analysis with your students and have them write a genre analysis of some other form of popular culture: a break-up song, a reality T.V. show episode, and so on.

Joining the Conversation 

1. Why, according to Tom Bissell, are video games so appealing? What evidence does he provide?
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In paragraph 4, Bissell praises video games for “the freedom they grant gamers, the narrative- and mission-generating manner in which they reward exploration, and their convincing illusion of endlessness,” but he also points out that they are “leisure-time- eating viruses.” Later in the essay, he acknowledges how one video game gave him an “extra life” (¶5) and praises another’s art direction and selection of choices. He uses his own experiences with particular games as evidence. 

2. Bissell begins with a self-mocking personal anecdote about playing video games. Why do you think he includes the story and places it in such a prominent location? How does it set the essay up as an argument that looks beyond the pros and cons of a particular video game? 

Bissell’s story shows how video games can be “leisure-time-eating viruses,” and the details of his personal experience with the game set up his later arguments about the positive and negative features of “the open-world or sandbox or free-roaming game” (¶4). The story aptly demonstrates that despite the problems Bissell details, video games can be highly entertaining. Placing such a story first pulls the reader in, whether or not he or she plays video games: the reader wonders why Bissell was so occupied by the game. Bissell uses Fallout 3 as an example of some of the pros and cons of all games of its genre, but he does not have a strong thesis early in the piece, perhaps because of the genre: a chapter in his book. 

3. Bissell says in paragraph 18 that the games that interest him the most are the ones that tell stories. How are they different from stories in films or novels? 

Although Bissell says that he’s “uninterested” in the debate about whether “games are better or worse than movies or novels” (¶19), he carefully considers how a game’s use of stories differs. He notes that early games, such as Super Mario, had “rudimentary” stories much like fairy tales. More recent games, though, have the ability to include more perspectives: Bissell points out that films “have someone deciding where to point the camera” in order to achieve compression, while games let the player decide what to look at and what story to create. 

4. So what? It’s clear that Tom Bissell cares a lot about video games, but how does he make clear, as his title suggests, why they matter? 

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Video games matter because they give players opportunities to make choices that other forms of entertainment do not. Bissell points out that gamers can interact with a story in ways they cannot in other mediums (¶18). Although he worries that games can insult gamers’ intelligence, he seems to hope that they have the ability to do more than they currently do. He writes, “More interesting to me is what games can do and how they make me feel while they are doing it” (¶19).

Tuesday, April 17, 2012

fb


NARCISSISTIC?
EPIDEMIC? What does it mean to call something an epidemic?
What is the purpose of the opening anecdote?
Any Logos provided?
New and different horror?
No children, no immediate social circle, no religious group
Where do we see pathos at play? She made calls to fans she found through fan conventions
Broader but shallow
What is the irony/contradiction? (p. 2)
Unbridled connectivity, unprecedented alienation
Less and less actual society
Who is to blame? FB
WHAT IS THE LANGUAGE USED, HOW DO WE KNOW WHERE THE AUTHOR STANDS?
NEWS HOOK?
CONSEQUENCES of FB? P.3
Claims about American isolation?
-americans are more solitary than ever before
Statistics?
Naysayers?
Quality not quantity
What is a confidant?
What are some measures/variabels in measuring loneliness?
Married or not?
Religious or not?

Whats this business about outsourcing caring?
Loneliness bad for your health?
Don’t exercise
Obsese?
Retirement home
Whats cause of loneliens??
Inherent to our culture?
WHAT DOES IT MEAN TO SAY WE ARE LONELY BC WE WANT TO BE LONELY?
CELEBRATION OF THE SELF
WHAT IS THE QUESTION WITH REGARD TO FB?
Does the internet make us lonely, or are lonely people atteacted to the internet?
CORRELATION IS NOT CAUSATIOn
DOES FACEBOOK CAUSE LONELINESS?

PEOPLE WHO ARE LONELY ON FB ARE LONELY EVERYWHERE ELSE!
Depends on how you use FB: meaning?

Tuesday, April 10, 2012

Islamophobia

1)  How do we know exactly where the author stands on this issue, right from the beginning?

2) What can they NOT say about Obama? What are they really talking about?

3) What is the evidence they have for this claim?

AXIS OF EVIL

STOPS:

Why a North Korean?

Is it offensive to say white people, so generally?

What does it mean, 'our meeting'?

What's the commentary of the hate crimes joke?

What lists?

Why do we need an Arab comedy festival?

MINUTE 7: actors.

Why does he keep mentioning a black person, gay guy, and a jew.

WHAT DOES IT MEAN TO SAY ITS LIKE FEEDING THE BEAST?

SHOW SASHA BARAN COHEN CLIP: http://www.youtube.com/watch?v=FvKq21mpxdU

The empire state building joke

Terrorist Group joke: Is that going too far? Why does he say is that like rushing a fraternity?


personhood, women's rights

birth control/personhood: http://www.youtube.com/watch?v=LCGYT7k2dBE